![]() Although loved ones depart, we may continue to seek the “exalted love” that only the divine can provide. It seems to hold the hopeful message that through gratitude and cultivation, love is ever-present. The song emotionally builds to an intense crescendo, but it ends in a peaceful feeling reminiscent of the first nocturne. It is a bittersweet reminder to love those we hold dear because “the time will come” when we may no longer have them. 3.” This final piece speaks of a love that transcends the “death” of the previous poem. Uhland hints that this “love” may allow a viewer to be “awakened” or even to glimpse “heaven,” and yet, like all of our experiences in the flesh, it is not meant to last.įerdinand Freiligrath’s poem “O Lieb, so Lang du Lieben Kannst,” or “O Love, as Long as You Can,” is the basis for Lizst’s third and final nocturne of the series, “Liebestraum No. Published 1853 by Haslinger (Vienna) Arranged for orchestra by Liszt and Franz Doppler, 185760, as Hungarian Rhapsody No.3 in D major ( S. It is dedicated to pianist and composer Henry Litolff. Composed for solo piano, 1847 ( S.244/6), using themes from Nos.4, 5 and 11 of Magyar dalok, S.242, and from No.20 of Magyar rapszdik, S.242. The piece flares up dramatically, eventually coming to an abrupt and somewhat dismal end. in Bayreuth, Bavaria (Germany) COMPOSED: Begun around 1830, reworked through that decade, and composed into its eventual form mostly from the late 1840s through 1853, and revised in 1855-56. The piece is about humanity’s experience of love born out of fleeting physical intimacy. 2” is based on Uhland’s poem “Seliger Tod” or “Blessed Death.” Liszt’s second nocturne in the series intentionally exists in stark contrast to the first. Pensive notes are held at length while layered arpeggios and rapidly ascending notes allude to the “heavens above” that “have parted.” The first nocturne in “Dreams of Love,” “Liebestraum No.1,” is based on Johann Ludwig Uhland’s poem titled “Hohe Liebe” or “Exalted Love.” The poem is about spiritual exaltation in which a person “gladly disowns” the “joys of Earth” in favor of the “golden beyond.” Of the three pieces, this nocturne is the most peaceful and restrained. Like German “lieder” of the Romantic era, they were songs that could be combined with poetry or performed as solo piano pieces. In his later years as an adolescent, he studied as well. When he was just a child, Franz started playing for the public. ![]() Liszt was born on October 22 nd, 1811 in the village of Doborjan which, was near Hungary. Liszt’s three-part “Liebestraum,” meaning “Dreams of Love,” is a series of three nocturnes that represent different types of love as expressed by three associated poems. Franz Liszt was a Hungarian composer of piano pieces and tone poems during the romantic period. The death of his friend and fellow composer Frederic Chopin inspired Liszt to briefly create works in genres that Chopin made famous, such as the nocturne.
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