![]() Caslon Old FaceĮvery designer is familiar with Caslon, namely Caslon Std and Adobe Caslon Pro. If you want a typesetting font that feels classic but not antiquated, this is the choice for you. The typeface was redesigned and expanded into a full set of weights by English typographer Stanley Morison in 1929.īembo carries this dual-period heritage with elegance, blending old-school character with early 20th century restraint. Bemboīembo is based on an old-style humanist serif typeface originally designed by Venetian punchcutter Francesco Griffo in the late 15th century. Their old-style quality exude beauty and make any text look elegant. The following serifs are consistently used for typesetting, and for good reason. These are the ultimate typesetting picks, split into traditional and new serifs. Stick to a typeface that’s conventionally attractive, and you’re sure to have a tasteful piece of typography that will stand the test of time.īut you don’t have to hunt down the perfect typeface – we’ve collected some of the best for you. A book cover might be the place to flex your creative muscles, but typesetting benefits from more restraint. Beauty - some typesetters prefer a particular typeface because it’s simply jaw-droppingly beautiful and elegant.Stick to a traditional serif or an elegant contemporary serif that borrows from older typesetting styles. Familiarity - using a font that distracts from the actual words, such as an unconventional sans serif, will distract the reader and detract from the content.A wide range of weights - look for fonts with flexibility, including the standard Regular, Bold and Italic weights, plus bonus weights that are ideal for setting one-off pieces of text, such as Black, Medium, and Roman.A steady baseline - if some of the letters look like they are jumping about, it’s not suitable for typesetting.Clarity - a clear, easy-to-read style that doesn’t tire the eye.Legibility - the text needs to be instantly discernible, even at a small point size.So what should you look for in typesetting fonts for the book or magazine you’re designing? Many typesetters will fall back on only a handful of trusted typefaces for their work, and they tend to favor classic, traditional serifs over sans serifs. Typesetting is a very specific design skill that blends an expert eye for typography with a meticulous sense of organization. These seven typefaces – some classic, others new kids on the block – are the perfect typesetting fonts. While a novelty slab serif might look great for titles, it’s clear that some fonts are simply not designed for setting lengthy paragraphs. ![]() If you’re putting together a book, magazine or brochure, it’s likely you’ll need to typeset large sections of text.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |